Logan Voss is DeltaX.

This site is the whole catalog in one place. The covers on the music page are in the order they went out into the world — swipe through them like an old iPod, click one, and you're inside the record. Dates, tracks, links. No noise.

Logan Mackenzie Voss was born on December 25, 1995, in San Francisco — a Christmas baby in a city that runs on fog, hills, and the belief that the next idea is the good one. The Bay was the first language: hip-hop on the radio, the Pacific on the weekend, and a local culture where making things is just what people do.

At ten, the family moved to Chicago. Different weather, different grid, different music. Chicago is a house-music city in a hip-hop city's clothes, and a kid who pays attention learns both. He paid attention.

College brought him back to California, and California kept him. The light, the long drives, the ocean an hour from the desk. Los Angeles is where the catalog got built — slowly at first, then all at once.

The first name was LOVO — a rapper's name, bars over everything. That's the foundation under all of it: cadence, pocket, the feel of a voice riding a beat. You can still hear it in the DeltaX records that talk back.

Then production took the wheel, and DeltaX became the name on the sleeves. It never picked a genre. Dance, house, dubstep, downtempo, trance, techno, jungle, jazz, meditation, hip-hop — the tag list reads like a dare, and that's the fun of it.

Twenty-five-plus albums. Hundreds of singles. A meditation series that treats stillness like a club record treats impact. The practice is the point: make the thing, put it out, make the next one.

For years, the streams didn't move. Songs went up; the graph stayed flat. So DeltaX did something most artists wouldn't — he put the entire discography on Pixabay, free for anyone making anything.

It worked the slow way, then all at once. Millions of plays. Over a hundred thousand downloads. Editors, filmmakers, and kids with timelines started cutting DeltaX under footage he'd never see — TV shows, commercials, movies, videos in languages he doesn't speak.

And then the streams came. The same catalog that lived under other people's work started living on its own — Apple Music, Spotify, the real storefronts. Turns out the long way around was the way.

The records are half of it. Logan shoots his own photographs — the mural, the ocean jump, the Yosemite summit on this page — and publishes them on Unsplash and Pexels. He builds small, useful apps for the App Store. Two YouTube channels hold the moving pictures: @DeltaXMusic for the records, @loganxvoss for everything else.

And there's Champagne. After fifteen years of mixing and mastering his own catalog — and a long, curious dive into AI music — he built the mastering tool he always wanted. One click, four tempers, finished record. The studio ear, turned into software.

The personal site, loganvoss.com, says artist, designer, musician. The GitHub bio says inspire the universe. Both check out. The job is simple: make the work, put it where people can use it, stay in the room.

For the record: DeltaX is a Los Angeles musician and producer, born Logan Mackenzie Voss in San Francisco on December 25, 1995, raised partly in Chicago, back in California for college and everything after. Fifteen years of music — first rapping as LOVO, then producing as DeltaX. More than twenty-five albums and hundreds of singles across dance, electronic, hip-hop, and meditation. The music is used in TV shows, commercials, movies, and creator content worldwide, with millions of plays and over 100,000 downloads on Pixabay alone. He also makes Champagne, an AI music mastering app, shoots his own photographs, and builds small apps.

The shorter version: a kid from San Francisco learned two cities, came home, and made records whether anyone was listening or not. Eventually, everyone was.

Start with the cover flow if you want the music. The photos on this page are his. The contact page is an actual inbox.